Cabaret 1993

Kander and Ebb's musical based on Christopher Isherwood's books, Goodbye to Berlin and Mr. Norris Changes Trains, was revived at the Donmar Warehouse in London, opening in December 1993.

Sam Mendes directed me as The Emcee, and Jane Horrocks as Sally Bowles. The production set the action in the actual cabaret club - the audience in the downstairs of the theatre were seated at tables and could have drinks during the action. Also, the true seediness and decadence of the time was evoked by the cast of actors and musicians.

We did a lot of research on getting the feel of life in those clubs in Berlin in the late 20s/early 30s.  I only wanted to do the part if it was going to be an authentic look at what it was really like to be alive then, to be a part of a decadent world that ultimately disappeared. I wanted to be dirty and to be shocking, and to look like a drug addict, and to scare people and enchant them at the same time. It was a very scary thing for me, as I had never done any other big musicals before, and here I was doing one in the West End with the audience right up against me. It was also kind of foolhardy because I was so exhausted by Hamlet, and I rehearsed Cabaret during the day while performing Hamlet at night. But I am so glad I did it for so many reasons. It felt great to do something so different and very liberating to be so exposed - literally!

I was nominated for Best Actor in a Musical at the 1994 Olivier Awards, and the show was taped and broadcast on ITV.


I played the title role in Shakespeare's tragedy for the English Touring Theatre.

The production toured England and ended up in London at the Donmar Warehouse. I won the Martini Rossi TMA award for Best Actor, and was also nominated for the Richard Burton Award at the Shakespeare Globe Awards.

This was a huge thing for me. I'd never really wanted to do Hamlet, and it only came about when Tilda Swinton pulled out of the planned production of Miss Julie that I was going to do with Steve Unwin (the director). It really changed my life. I don't think anyone can play Hamlet without him affecting you in a really primal way. The part deals with such universal and yet personal things: your relationship with your parents, dealing with the death of a parent (and as I felt it, dealing with the death of a parent you didn't like very much), wanting to get away from home and back to your friends, university and your own life, trying to cope with your girlfriend suddenly dumping you for no apparent reason when you are feeling really low - as well as some issues that thinking about or exploring even on a very superficial level can be incredibly upsetting and haunting, e.g. wondering whether or not to kill yourself, and how to deal with your father's ghost coming to you and telling you to avenge his death! But even though it was the biggest challenge of my life to play (and sustain playing) this part, I am so grateful to have had the chance, because it really did change my life. It also eventually made me feel much more relaxed about my work. I feel that if I die tomorrow then I will have done something I am truly proud of.

Second Best

William Hurt stars as Graeme, a middle-aged Welshman who decides to adopt a little boy, in the Chris Menges film, Second Best.

I play the little boy's social worker. The film also stars Jane Horrocks, who worked playws Sally Bowles opposite me later that year in the London production of Cabaret.

Here we all are looking young and perky at the premiere.

Comic Relief

In this spoof of the real dating show, Blind Date, I played one of the contestants who loses to Mr. Bean, played by Rowan Atkinson. The spoof was shown as a part of BBC's Comic Relief night.

I got to meet Cilla Black, and she gave me a row for saying my Blind Date contestant lines in the wrong order. I also discovered she had a penchant for champagne. It was very enlightening.