I recorded the audiobook of No night is too Long by Ruth Rendell
Burn Your Phone was originally a radio play, written by Andrew Wallace, which I did for the BBC. I thought it would make a really gripping film, and as I was looking for something else to direct after Butter, I asked my friend and producer Dixie Linder to help me get it made. And so, in a relatively short time we were shooting it for BBC 2's Screen Two strand at Elstree Studios. It only took two days to shoot, because basically it's just me on the phone to lots of unseen people, but it was quite an intricate process getting the actors in an adjoining studio piped through to the earpiece in my ear and acting with them as well as concentrating on how to make the thing visually interesting when it was just my face for half an hour.
I think this was the first time that I realized that I liked directing myself because it really freed up my acting. As a director you have so many things to think about on a set that when it came down to the actual acting I felt really relaxed and free and I think my performance is better as a result. Also, as a director I am way, way more prepared than I ever am as an actor so I think that amount of preparation and thought for the other aspects of the film helps my acting too.
Burn Your Phone is about Andy, a telephone operator, who, during a normal day of answering calls begins to hear from someone who knows things that only Andy himself could know and eventually begins to threaten Andy's life.
The film was broadcast on New year's Eve 1996, and on that night as I was boarding a flight back to London from Prague (I had been filming For My Baby in Budapest) I walked on the plane to see about a hundred pictures of my face staring back at me from the TV listings on the back page of the complimentary newspapers that the passengers had all been given. It was rather alarming until I realized what was going on
The BBC asked me to go to Hong Kong with a bunch of travel agents and report back for their Travel Show.
I appeared on Pebble Mill to talk to Ross King about Comic Relief, gave a gong at the Scottish BAFTAs, gave the Costume Design award at the BAFTAs, and popped into Scottish Television to talk about Goldeneye.
Here also are two hilarious vids of Forbes Masson and I as Steve and Sebastian from The High Life, taking over This Morning.
Emma is based on the novel by Jane Austen, and was adapted and directed by Doug McGrath, who I went on to work with again in Company Man. We shot it on locations in Dorset and Devon, England.
I play the Reverend Elton, who we discover is in love with Emma (Gwyneth Paltrow), even though she is trying to match him with Harriet (Toni Colette). The film also starred Jeremy Northam, Ewan McGregor, Polly Walker, Greta Scaachi and Juliet Stevenson.
Sometimes a film is memorable to me for the friends I made on it, and that is certainly true of this one. Doug is one of the nicest people in the whole world, and I can't wait to work with him again. The worst thing about this film was my hair. Every time I start a new film and I sit down in the chair to talk with the makeup and hair people about how I am going to look, I always joke about and say stuff like I think I should go blonde and permed. Well this time when I said it they didn't laugh, as they had already discussed lightening my hair and curling it! It looked okay for the character, but when I wasn't working it was a nightmare because the curls went really tight when I had a shower and I had to walk around looking like my granny for three months. I couldn't wait to get it buzzed off.
Gwyneth and I laughed so much during the scene in the carriage when I whisper in her ear. Doug said there was only one take that was completely giggle free. It was just so surreal, having grown men standing outside throwing handfuls of fake snow and bumping the carriage up and down, and her not knowing how near I was because her head was turned away from me and getting a fright each time she felt my breath on her neck. It was also nearly the last day of the shoot and we were all a bit tired and hysterical.
Russell Michaels wrote and directed the short film, Bath Time, about a man named Wrigley, who is in love with his goldfish Diana.
I played Wrigley, and Julie Walters played my lascivious neighbor.
This is a beautiful film. The premise sounds so weird, but you really feel for the characters, even Diana! It also looked really beautiful. Julie Walters is one of my favourite actresses in the world, so I was really delighted to get the chance to work with her. I remember badgering her to do Mrs. Overall (one of her characters from the Victoria Wood show), and also I remember feeling very prune-like because of being in the bath so long.
I also remember accidentally killing one of the goldfish who played Diana. I had to run along a corridor naked (yes, really, take a look..) holding a flapping goldfish, and when I turned a corner throw it into a bucket of water. In my haste to ensure the little fishy got back to its natural habitat in record time I flung it rather forcefully. There was a horrible thud and it started to swim rather strangely. I was devastated and I remember standing there naked with various crew people trying to convince me that it would be okay. I am sure that afterwards there was one less Diana double in the bucket.
This was one of the first of these sort of celeb game shows I had ever done and I remember being very nervous. Also these shows are always quite scary because you feel you have to spend the entire week leading up to them committing to memory every morcel of every newspaper as though you are studying for your finals at university.
I was also very excited because Dolce and Gabbana had sent me a suit to wear.
I had worked with Paul Merton at various benefits and shows when he was doing his stand up act and I was doing Victor and Barry. He is really nice and very funny.
GoldenEye, directed by Martin Campbell, was the first James Bond film in which Pierce Brosnan played Bond. I played Boris Grishenko, a Russian computer programmer who is embroiled in a devilish plot to take over the world.
Like a lot of these kind of action films the plot was quite confusing, even when we were shooting. So don't expect me to explain it now. But I do remember Boris' catchphrase - I am invincible! - because strangers still come up and say it to me all the time.
GoldenEye was my first action film, and there were a couple of scenes where I felt in real danger. When we shot the scenes where the underground bunker starts to explode, it was really scary. There was a wall of flames shooting above our heads and I had to leap over the consul as an explosion happened behind me. Then when I was frozen alive at the very end I nearly lost my hair! I had to stand very still while they dropped a whole load of dry ice on top of me, and I was tied to a pole by a big rubber thing under my costume so that I wouldn't move. However, there were some lumps of hard dry ice and they stuck to my scalp and wouldn't come off and started to burn. I started to move off the set to get help but I bounced backwards because of the rubber! And the next thing I saw was a fireman running towards me and he hosed the dry ice off my head. I was okay apart from a few red patches, but it was a near thing.
The film had a royal premiere in London to which I took his mum. It was so surreal. At one point at the party I looked over and my mum was standing chatting to Judi Dench and Tina Turner!