Theatre

The Ugly Duckling

The Ugly Duckling was a pantomime for Borderline Theatre Company performed at the Magnum Centre, Irvine. I played Andy, who befriended the eponymous duck and dreamed of becoming a clown at the circus.

Forbes Masson, my Victor and Barry cohort, and another college friend Louise Beattie, were the baddies, and Jenny McCrindle who I went on to work with in Sleeping Beauty and The High Life was the duck.

My biggest memory of this, aside from the wall of noise of the screaming children during each show, was getting up at the crack in the freezing Glasgow winter to get into a van and travel down to Irvine each morning. I was only out of drama school six months and already I was a moaning actor! But it is a real killer schedule. Three shows a day some days, so you sometimes came onstage and wondered if you had already done the scene you were about to do and therefore were about to repeat yourself, or had you just done it twice before that day in the previous two shows!!

I also remember a hotel in Irvine where we used to go to that had a water flume that was used as a carrot to get through that third show some nights.

Trumpets and Raspberries

As soon as I left drama school in 1985 I started rehearsals for this Bordeline Theatre Company production of Dario Fo's play, Trumpets and Raspberries, which opened at the 1985 Edinburgh Festival fringe and then toured throughout Scotland. A few years later I would work on another Dario Fo piece at the National Theatre in London (Accidental Death of an Anarchist), and indeed work with the great man of political theatre himself.

I played a variety of small parts in Trumpets and Raspberries.  After Macbeth, Macbeth Possessed and Passing Glory, it was a little bit boring to be Medic #2 etc, but it was great fun. The two leading roles were played by Andy Gray and Elaine C.Smith. My then wife, Hilary Lyon, was also in the cast, so it was great to be able to be on tour with her.

Macbeth/Macbeth Possessed

I was allowed time off from my final term at the Royal Scottish Academy of Music and Drama to play Malcolm in both Shakespeare's Macbeth and a new play, Macbeth Possessed by Stuart Delves. This was my professional theatre debut, and a completely amazing experience for me.

I was only 20 and still a student and here I was working with these really great Scottish actors on this brilliant play, in a new theatrical venue in Glasgow. Michael Boyd directed and he really helped me open up as an actor in a way that nobody had at drama school, by making me look again and again at the text, and questioning it and my understanding of it. I was so eager to learn and to please Michael and I think in a way he made me the actor I am now. But he shouldn't be blamed!

He insisted on putting back the 'England scene' which is often cut, in which Macduff comes to visit Malcolm in exile and we see a side of Malcolm that is not so pure and innocent as we might have been led to believe.

The play was produced by the Tron Theatre in Glasgow. I had first worked at the Tron as an usher in my first term at college, and then Victor and Barry appeared there in the weekly Gong Shows in the bar. In fact we went on to win the Gong of Gongs, hosted by Robbie Coltrane, and I think it was during that time that Michael noticed me and thought of me for Malcolm.

Maureen Beattie was Lady Macbeth, and she had been in Dundee Rep's theatre-in education company that had come to Monikie Primary School when I was a little boy and made me want to become an actor! And also Siobhan Redmond played Lady Macduff and many years later she was Shona Spurtle in The High Life.