Victor MacIlvaney and Barry McLeish , founder members of the Kelvinside Young People’s Amateur Dramatic Art Society finally, actually, truly said goodbye. They died as the would have wished, on stage at the London Palladium when they performed as part of a Lyric, Hammersmith theatre fundraiser.
Victor slumped onto the keys of the piano, while Barry fell into a theatrical hamper.
The BBC commissioned me and Forbes Masson to write a half-hour comedy pilot which became The High Life, and we shot it at the beginning of 1993, and was broadcast with a number of other pilots as part of Comic Asides in 1994.
Then a full six-part series was commissioned, and we wrote that in various cottages and houses in Perthshire, Crewe and the Midi Pyrenees to name but a few in 1993/94 , shot in the autumn of 1994 and they were broadcast in early 1995.
The series followed the antics of Sebastian Flight (named after the character in Brideshead Revisited, but spelled differently of course), played by me and Steve McCraken, played by Forbes. The chief purser, Shona Spurtle ('Hitler in tights, Mussolini in micromesh, Pol Pot in pantyhose'), was played by the amazing Siobhan Redmond, and their pilot, Captain Duff was played by Patrick Ryecart. They all worked for a tatty Scottish airline called Air Scotia, and were all a bit mad. The series location sequences were shot at Prestwick Airport, and in and around Glasgow, Scotland. Production then moved back to London and studio sequences were shot in front of a live audience.
This was really fun to shoot because we were getting away with so many dirty things. It was quite wicked because a lot of the Scottish-ness in the script hid the fact that we were saying things that people hadn’t said on national TV before. The writing was really difficult because we were trying to do something different, something almost surreal and the people at the BBC were a little frightened, a little nervous. They kept trying to hem us in, but we knew the success of the show would be its wildness and abandon. And I think we were right.
The High Life was the swan song for Forbes and I working together, and whenever I go back to Britain I am always amazed and happy that it has a place in so many people's hearts and I think it is a great thing that we created something together that has had such a lasting effect.
Someone has very kindly put the entire series up on youtube, but here is my favorite bit out of all the episodes. I think Ann Scott Jones who play Gretchen Betjamin is brilliant. I sort of still can't believe we got away with being so bonkers.
And also the opening titles dance, which is something of a classic, even if I do say so myself.
Butter, is a short film that I wrote and directed. It was my directorial debut and I was really lucky to have a great friend, Dixie Linder, to produce it and a bunch of really great actor friends to be in it and help me bring it to fruition.
Originally I wrote Butter as a short one woman piece that was performed as part of a trio of plays called Listen, I'm Talking at the RSC Fringe Festival in Newcastle in 1990.
I am really fascinated by food issues, I have had them myself, and I think there is a huge problem in the way people can seek their own happiness, desirability and self-worth through or via food. I had listened to many people's stories and anecdotes and finally I put pen to paper andButter was the result. Also, like Jane in the film, I equate comfort with mashed potatoes, so that's why they play such an important part!
Jane (who was played by my ex-wife Hilary Lyon) has an eating problem. She has bought and prepared a feast for an unseen date who calls in sick and sends her spiraling round London, visiting friends and revisiting old habits. The film also stars Jane Horrocks, Helena Bonham Carter, Richard E. Grant, Richard Wilson, Susan Wooldridge, Andy de la Tour, and me myself in a cameo as Jane's secretary. The film premiered at the Edinburgh Festival in 1994 and played at many other film festivals before being shown on Channel 4 TV.
